Kurtág György: quasi una fantasia for piano and groups of instruments dispersed in space. score and parts. Op. 27 No. 1. Setting: Chamber Orchestra. Quasi Una Fantasia Op 27 No 1 is a miniature piano concerto in all but name. Op 27 No 2 (Double Concerto), as he titles it, pits solo piano. 16 nov. Stream György Kurtág, quasi una fantasia (extrait) by Ens. intercontemporain from desktop or your mobile device.
|Published (Last):||25 June 2013|
|PDF File Size:||13.51 Mb|
|ePub File Size:||15.26 Mb|
|Price:||Free* [*Free Regsitration Required]|
Aside from their comparable fantasiq to write in miniature form, both composers are able to astonish of the tiniest of resources, distilling the purest, communicative sound.
It is one of the most perfect and unprecedented little movements to emerge from twentieth-century chamber music, but it endlessly enriched by the preceding movements.
uuna Share on facebook twitter tumblr. The slowly descending piano scale that opens Sometimes the references are more or less fntasia quotations; in other pieces, the connections are more elliptical. It is just kurta easy to ruin a good performance of a good piece of music as it is to disrupt an intelligent conversation. When the composer loves music as much or more than his or her audience, the risks the music takes are larger.
This work calls for some unusual staging, with mouth organs placed at strategic points in the qkasi to make the most out of the acoustic space. Both have a relationship with the two piano sonatas of Beethoven’s Op 27 the second of them the Moonlightbut there are no explicit musical connections, and what links them in Kurtag’s mind is some intangible sense of structure or expressive purpose.
That awareness is one of the main qualities of Op 27 No 2 Double Concertoas he titles it, pits solo piano and cello against two groups of instruments arrayed around the hall.
Kurtág: quasi una fantasia – Online sheet music shop of Editio Musica Budapest
The second movement Presto minaccioso e lamentoso features unx benign collection of fragmented utterances.
Introspection Late Night Partying. Op 27 No 1 is a miniature piano concerto in all but name.
Webern had a comparably hysterical, overwhelming movement in both of his collections of atonal orchestral works. The pieces were written for Kocsis Kurtag has been working on another fatasia concerto for him since the s and it is easy to see why. These exceptional scores formed the core of the last of the South Bank’s concerts in its Kurtag series.
Quasi una fantasia, for piano & instrumental groups, Op. 27
As it quasii happens in his later material, the general soundscape is reminiscent of some of Crumb ‘s sound world, though this is most likely a coincidence.
It gives one just enough of a glimpse into a wonderful world that the composer seems to not feel he has the time to elaborate upon. Zoltan Kocsis was the soloist in both Kurtag works earlier in the evening he had also paired Beethoven’s two Op 27 sonatas in a short recital ; in the Double Concerto he was joined by cellist Miklos Perenyi. Sexy Trippy All Moods. If it was slightly underpowered, that was the acoustic’s fault, not the players’.
Quasi una fantasia, for piano &… | Details | AllMusic
Qasi brief opening I. A descending piano line with tiny utterances among the winds and then percussion says the most honest thing about beauty that no one cares to say, that it is destroyable. The pianist simply leads the ensemble of the movement each movement has a different supporting cast of instruments but there is nothing remotely showy about the sound or the presumptions behind it.
It consists of four movements and is about seven minutes in duration. No other composer conveys this feeling so well, and its beauty does not pale over time. Largo is the essence of fragility. G yorgy Kurtag’s music is larded with acknowledgments of the past, of the great tradition that he has supported as a teacher and kuurtag.
The Double Concerto is larger-scale, and if anything even more remarkable – by turns physically assertive, wispily elegiac and ending in bleak acceptance. Romantic Evening Sex All Themes. There is no comparison to be had for the work’s ukrtag aria.
The rest of this perfectly conceived all-Hungarian programme brought sparky performances of Ligeti’s Melodien and his trumpet showpiece, Mysteries of the Macabre, fantasiw John Wallace as the irrepressible soloist. Streams Videos All Posts. Genre Chamber Music Classical.